MODERN CINEMA OF BOLLYWOOD

In the late 1960s and early 1970s, romance movies and action films were made starred actors like Rajesh Khanna and Dharmendra, and actresses like Sharmila Tagore, Mumtaz, Leena Chandavarkar and Helen. In the mid-1970s, romantic confections made way for gritty, violent films about gangsters and bandits. Amitabh Bachchan, known for his "angry young man" roles, rode the crest of this trend with actors like Mithun Chakraborty and Anil Kapoor, which lasted into the early 1990s. Actresses from this era included Hema Malini, Jaya Bachchan and Rekha.

The 'art film' bent of the Film Finance Corporation came under criticism during a Committee on Public Undertakings investigation in 1976, which accused the body of not doing enough to encourage commercial cinema. The 1970s thus saw the rise of commercial cinema in the form of enduring films such as Sholay (1975), which solidified Amitabh Bachchan's position as a lead actor. The devotional classic Jai Santoshi Ma was also released in 1975. Another important film from 1975 was Deewar. The most internationally-acclaimed Hindi film of the 1980s was Mira Nair's Salaam Bombay! (1988), which won the Camera d'Or at the 1988 Cannes Film Festival and was nominated for the Academy Award for Best Foreign Language Film.

During the late 1980s and early 1990s, again family-centric romantic musicals films were produced, with the success of such films as Qayamat Se Qayamat Tak (1988), Maine Pyar Kiya (1989), Hum Aapke Hain Kaun (1994) and Dilwale Dulhania Le Jayenge (1995), starring new generation of actors like Aamir Khan, Salman Khan and Shahrukh Khan and actresses such as Sridevi, Madhuri Dixit, Juhi Chawla and Kajol. At the same time, successful action and comedy films were also produced, with actors like Govinda and actresses such as Raveena Tandon and Karisma Kapoor appearing in popular comedy films, and stunt actor Akshay Kumar gaining popularity for performing dangerous stunts in action films. Furthermore, this decade marked the entry of new performers in arthouse and independent films, some of which succeeded commercially, the most influential example being Satya (1998), directed by Ram Gopal Varma and written by Anurag Kashyap. The critical and commercial success of Satya led to the emergence of a distinct genre known as Mumbai noir, urban films reflecting social problems in the city of Mumbai. This led to a resurgence of Parallel Cinema by the end of the decade. These films often featured actors like Nana Patekar, Manoj Bajpai, Manisha Koirala, Tabu and Urmila Matondkar, whose performances were usually critically acclaimed.

The 2000s saw a growth in Bollywood's popularity in the world. Some of the largest production houses, among them Yash Raj Films and Dharma Productions were the producers of new modern films. This including Lagaan (2001), Devdas (2002), Koi... Mil Gaya (2003), Kal Ho Naa Ho (2003), Veer-Zaara (2004), Rang De Basanti (2006), Lage Raho Munnabhai (2006), Krrish (2006), Dhoom 2 (2006), Om Shanti Om (2007), Chak De India (2007), Rab Ne Bana Di Jodi (2008), Ghajini(2008), 3 Idiots (2009), My Name is Khan (2010), Raajneeti (2010) & Dabangg (2010) delivering a new generation of popular actors (Hrithik Roshan, Abhishek Bachchan) and actresses (Aishwarya Rai, Preity Zinta, Rani Mukerji, Kareena Kapoor and Priyanka Chopra), and keeping the popularity of actors of the previous decade. Among the mainstream films, Lagaan won the Audience Award at the Locarno International Film Festival and was nominated for Best Foreign Language Film at the 74th Academy Awards, while Devdas and Rang De Basanti were both nominated for the BAFTA Award for Best Foreign Language Film.

GOLDEN AGE OF HINDI CINEMA

After India's independence, the period from the late 1940s to the 1960s is regarded by film historians as the "Golden Age" of Hindi cinema. During this period, some of the most critically acclaimed Hindi films of all time were produced. Examples include the Guru Dutt films Pyaasa (1957) and Kaagaz Ke Phool (1959) and the Raj Kapoor films Awaara (1951) and Shree 420 (1955). These films expressed social themes mainly dealing with working-class urban life in India; Awaara presented the city as both a nightmare and a dream, while Pyaasa critiqued the unreality of city life. Some of the most famous epic films of Hindi cinema were also produced at the time, including Mehboob Khan's Mother India (1957), which was nominated for the Academy Award for Best Foreign Language Film, and K. Asif's Mughal-e-Azam (1960). Madhumati (1958), directed by Bimal Roy and written by Ritwik Ghatak, popularized the theme of reincarnation in Western popular culture. Other acclaimed mainstream Hindi filmmakers at the time included Kamal Amrohi and Vijay Bhatt. Successful actors at the time included Dev Anand, Dilip Kumar, Raj Kapoor and Guru Dutt, while successful actresses included Nargis, Meena Kumari, Nutan, Madhubala, Waheeda Rehman and Mala Sinha.

BOLLYWOOD, INDIAN FILM PRODUCTION CENTRE

Bollywood is the largest film producer in India and one of the largest centers of film production in the world. Bollywood is the informal term popularly used for the Hindi-language film industry based in Mumbai (formerly known as Bombay), Maharashtra, India. it is only a part of the total Indian film industry, which includes other production centers producing films in regional languages. Bollywood is formally referred to as Hindi cinema. 

The word "Bollywood" is derived from Bombay (Mumbai) and Hollywood, the center of the American film industry. However, unlike Hollywood, Bollywood does not exist as a physical place. The term "Bollywood" has origins in the 1970s, when India overtook America as the world's largest film producer. The naming scheme for "Bollywood" was inspired by "Tollywood", the name that was used to refer to the cinema of West Bengal. Dating back to 1932, "Tollywood" was the earliest Hollywood-inspired name, referring to the Bengali film industry based in Tollygunge, whose name is reminiscent of "Hollywood" and was the center of the cinema of India at the time.

Box Office Top Ten English Movies for End August 2011

1. The Help

2. Colombiana

3. Rise of the Planet of the Apes

4. Don't Be Afraid of the Dark

5. Our Idiot Brother

6. Spy Kids: All the Time in the World

7. The Smurfs

8. Conan the Barbarian9. Crazy, Stupid, Love.

10. Fright Night

MODERN HOLLYWOOD HISTORY

On January 22, 1947, the first commercial television station west of the Mississippi River, KTLA, began operating in Hollywood. In December of that year, The Public Prosecutor became the first network television series to be filmed in Hollywood. In the 1950s, music recording studios and offices began moving into Hollywood. Other businesses, however, continued to migrate to different parts of the Los Angeles area, primarily to Burbank. Much of the movie industry remained in Hollywood, although the district's outward appearance changed.

In 1952, CBS built CBS Television City on the corner of Fairfax Avenue and Beverly Boulevard, on the former site of Gilmore Stadium. CBS's expansion into the Fairfax District pushed the unofficial boundary of Hollywood farther south than it had been. CBS's slogan for the shows taped there was "From Television City in Hollywood..."

During the early 1950s the famous Hollywood Freeway was constructed from Four Level Interchange interchange in downtown Los Angeles, past the Hollywood Bowl, up through Cahuenga Pass and into the San Fernando Valley. In the early days, streetcars ran up through the pass, on rails running along the central median.

The famous Capitol Records Building on Vine St. just north of Hollywood Boulevard was built in 1956. The building houses offices and recording studios, which are not open to the public, but its circular design looks like a stack of 7-inch (180 mm) vinyl records.

The now derelict lot at the corner of Hollywood Boulevard and Serrano Avenue was once the site of the illustrious Hollywood Professional School, whose alumni reads like a Hollywood Who's Who of household "names". Many of these former child stars attended a "farewell" party at the commemorative sealing of a time capsule buried on the lot.

The Hollywood Walk of Fame was created in 1958 as a tribute to artists and other significant contributors within the entertainment industry. Official groundbreaking occurred on February 8, 1960, and the first star to be permanently installed was that of director Stanley Kramer (not Joanne Woodward, as commonly related). A detailed history of the Walk can be found in the Walk of Fame main article. Honorees receive a star based on their achievements in motion pictures, live theatre, radio, television, and/or music, as well as their charitable and civic contributions.

In 1985, the Hollywood Boulevard Commercial and Entertainment District was officially listed in the National Register of Historic Places protecting important buildings and ensuring that the significance of Hollywood's past would always be a part of its future.

In June 1999, the Hollywood extension of the Los Angeles County Metro Rail Red Line subway opened, running from Downtown Los Angeles to the San Fernando Valley, with stops along Hollywood Boulevard at Western Avenue, Vine Street and Highland Avenue.

HOLLYWOOD, THE ENTERTAINMENT CAPITAL OF THE WORLD

Hollywood is a district in Los Angeles, California – situated west-northwest of Downtown Los Angeles. Due to its fame and cultural identity as the historical center of movie studios and movie stars, the word "Hollywood" is often used as a metonym of American cinema. Today, much of the movie industry has dispersed into surrounding areas such as the Westside neighborhood, but significant auxiliary industries, such as editing, effects, props, post-production, and lighting companies remain in Hollywood, as does the backlot of Paramount Pictures.

Filmmaking in the greater Los Angeles area preceded the establishment of filmmaking in Hollywood. The Biograph Company filmed the short film A Daring Hold-Up in Southern California in Los Angeles in 1906. The first studio in the Los Angeles area was established by the Selig Polyscope Company in Edendale, with construction beginning in August 1909.

Prolific director D. W. Griffith was the first to make a motion picture in Hollywood. His 17-minute short film In Old California, which was released on 10 March 1910, was filmed entirely in the village of Hollywood for Biograph. Although Hollywood banned movie theaters—of which it had none—before annexation that year, Los Angeles had no such restriction. The first film by a Hollywood Studio, Nestor Motion Picture Company, was shot on October 26, 1911.

Various producers and filmmakers moved bases from the east coast to escape punitive licensing from the Motion Picture Patents Company.

The first studio in Hollywood was established by the New Jersey–based Centaur Co., which wanted to make westerns in California. The first feature film made specifically in a Hollywood studio, in 1914, was The Squaw Man.

By 1911, Los Angeles was second only to New York in motion picture production, and by 1915, the majority of American films were being produced in the Los Angeles area.

Four major film companies Paramount, Warner Bros., RKO and Columbia had studios in Hollywood, as did several minor companies and rental studios. Hollywood had begun its dramatic transformation from sleepy suburb to movie production capital.

By 1920, Hollywood had become world-famous as the center of the United States film industry. From the 1920s to the 1940s, a large percentage of transportation to and from Hollywood was by means of the red cars of the Pacific Electric Railway.

Demi Moore, Career

After training with John Casablancas, Demi Moore made her film debut in the 1982 3-D science fiction/horror film, Parasite, which was a hit on the drive-in circuit, ultimately grossing $7 million.

However, Demi Moore was not widely known until she played the part of Jackie Templeton on the ABC soap opera, General Hospital, from 1982 to 1983. Demi Moore also had an uncredited cameo at the end of the 1982 spoof Young Doctors in Love.

In the mid-1980s, Demi Moore appeared in the youth-oriented films St. Elmo's Fire, Blame It on Rio and About Last Night, and she was often listed as one of the Brat Pack, a name the media dubbed a certain group of top young actors at the time.

In 1988 Demi Moore starred in The Seventh Sign directed by Carl Schultz. After the commercial success of Ghost, Demi Moore was given more prominent roles in A Few Good Men, Indecent Proposal, Disclosure, and The Hunchback of Notre Dame for which she was the first actress to reach the $10 million salary mark.

During the early 1990s, Demi Moore was the highest paid actress in Hollywood. Demi Moore never surpassed the success of Ghost, and had a string of less successful films like The Scarlet Letter, The Juror, Striptease, and G.I. Jane. Moore's Passion of Mind co-star Joss Ackland lambasted her by describing her as being "not very bright or talented", although he worked with her again on Flawless in 2008.

At the same time Demi Moore produced and starred in a TV mini-series called If These Walls Could Talk, written by Nancy Savoca. A three-part series on abortion, Savoca directed two segments, including the one in which Moore played a single woman in the 1950s seeking a back-alley abortion. Demi Moore was nominated for a Golden Globe for Best Actress for that role.

Demi Moore was a founding "celebrity investor" in the Planet Hollywood chain of international theme restaurants (modeled after the Hard Rock Cafe and launched in New York on October 22, 1991) along with Sylvester Stallone, Arnold Schwarzenegger, and then-husband Bruce Willis.

After a break from Demi Moore' acting career, she returned to the screen as the villain of the 2003 film Charlie's Angels: Full Throttle.

In 2006, Demi Moore appeared in Bobby which featured an all-star cast, including her husband Ashton Kutcher, although they did not appear in any scenes together. She later starred in the thriller film Mr. Brooks, which was released on June 1, 2007. Demi Moore appeared in Jon Bon Jovi's longform video "Destination Anywhere" as Janie.

In 2006, Demi Moore became the new face for the Helena Rubinstein brand of cosmetics.

HISTORY OF FILM

Preceding film by thousands of years, plays and dances had elements common to film: scripts, sets, costumes, production, direction, actors, audiences, storyboards, and scores. Much terminology later used in film theory and criticism applied, such as mise en scene (roughly, the entire visual picture at any one time). Moving visual and aural images were not recorded for replaying as in film. In the 1860s, mechanisms for producing two-dimensional drawings in motion were demonstrated with devices such as the zoetrope, mutoscope and praxinoscope. These machines were outgrowths of simple optical devices (such as magic lanterns) and would display sequences of still pictures at sufficient speed for the images on the pictures to appear to be moving, a phenomenon called persistence of vision. Naturally the images needed to be carefully designed to achieve the desired effect, and the underlying principle became the basis for the development of film animation. With the development of celluloid film for still photography, it became possible to directly capture objects in motion in real time. An 1878 experiment by English photographer Eadweard Muybridge in the United States using 24 cameras produced a series of stereoscopic images of a galloping horse, is arguably the first "motion picture," though it was not called by this name. This technology required a person to look into a viewing machine to see the pictures which were separate paper prints attached to a drum turned by a handcrank. The pictures were shown at a variable speed of about 5 to 10 pictures per second, depending on how rapidly the crank was turned. Commercial versions of these machines were coin operated.

By the 1880s the development of the motion picture camera allowed the individual component images to be captured and stored on a single reel, and led quickly to the development of a motion picture projector to shine light through the processed and printed film and magnify these "moving picture shows" onto a screen for an entire audience. These reels, so exhibited, came to be known as "motion pictures". Early motion pictures were static shots that showed an event or action with no editing or other cinematic techniques. The first public exhibition of projected motion pictures in America was shown at Koster and Bial's Music Hall in New York City on the 23rd of April 1896. Ignoring Dickson's early sound experiments (1894), commercial motion pictures were purely visual art through the late 19th century, but these innovative silent films had gained a hold on the public imagination. Around the turn of the 20th century, films began developing a narrative structure by stringing scenes together to tell narratives. The scenes were later broken up into multiple shots of varying sizes and angles. Other techniques such as camera movement were realized as effective ways to portray a story on film. Rather than leave the audience with noise of early cinema projectors, theater owners would hire a pianist or organist or a full orchestra to play music that would cover noises of projector. Eventually, musicians would start to fit the mood of the film at any given moment. By the early 1920s, most films came with a prepared list of sheet music for this purpose, with complete film scores being composed for major productions.

The rise of European cinema was interrupted by the outbreak of World War I when the film industry in United States flourished with the rise of Hollywood, typified most prominently by the great innovative work of D. W. Griffith in The Birth of a Nation (1914) and Intolerance (1916). In the 1920s, new technology allowed filmmakers to attach to each film a soundtrack of speech, music and sound effects synchronized with the action on the screen. These sound films were initially distinguished by calling them "talking pictures", or talkies.

The next major step in the development of cinema was the introduction of so-called "natural color", which meant color that was photographically recorded from nature rather than being added to black-and-white prints by hand-coloring, stencil-coloring or other arbitrary procedures, although the earliest processes typically yielded colors which were far from "natural" in appearance. While the addition of sound quickly eclipsed silent film and theater musicians, color replaced black-and-white much more gradually. The pivotal innovation was the introduction of the three-strip version of the Technicolor process, which was first used for short subjects and for isolated sequences in a few feature-length films released in 1934, then for an entire feature film, Becky Sharp, in 1935. The expense of the process was daunting, but continued favorable public response and enhanced box-office receipts increasingly justified the added cost. The number of films made in color slowly increased year after year.

In the early 1950s, as the proliferation of black-and-white television started seriously depressing theater attendance in the US, the use of color was seen as one way of winning back audiences. It soon became the rule rather than the exception. Some important mainstream Hollywood films were still being made in black-and-white as late as the mid-1960s, but they marked the end of an era. Color television receivers had been available in the US since the mid-1950s, but at first they were very expensive and few broadcasts were in color. During the 1960s, prices gradually came down, color broadcasts became common, and the sale of color television sets boomed. The strong preference of the general public for color was obvious. After the final flurry of black-and-white film releases in mid-decade, all major Hollywood studio film production was exclusively in color, with rare exceptions reluctantly made only at the insistence of "star" directors such as Peter Bogdanovich and Martin Scorsese.

Since the decline of the studio system in the 1960s, the succeeding decades saw changes in the production and style of film. Various New Wave movements (including the French New Wave, Indian New Wave, Japanese New Wave and New Hollywood) and the rise of film school educated independent filmmakers were all part of the changes the medium experienced in the latter half of the 20th century. Digital technology has been the driving force in change throughout the 1990s and into the 2000s

INTRODUCTION OF MOVIE (FILM)

A film, also called a movie or motion picture, is a series of still or moving images. It is produced by recording photographic images with cameras, or by creating images using animation techniques or visual effects. The process of film making has developed into an art form and industry.

Films are cultural artifacts created by specific cultures, which reflect those cultures, and, in turn, affect them. Film is considered to be an important art form, a source of popular entertainment and a powerful method for educating — or indoctrinating — citizens. The visual elements of cinema give motion pictures a universal power of communication. Some films have become popular worldwide attractions by using dubbing or subtitles that translate the dialogue into the language of the viewer. Films are made up of a series of individual images called frames. When these images are shown rapidly in succession, a viewer has the illusion that motion is occurring. The viewer cannot see the flickering between frames due to an effect known as persistence of vision, whereby the eye retains a visual image for a fraction of a second after the source has been removed. Viewers perceive motion due to a psychological effect called beta movement.

The origin of the name "film" comes from the fact that photographic film (also called film stock) has historically been the primary medium for recording and displaying motion pictures. Many other terms exist for an individual motion picture, including picture, picture show, moving picture, photo-play and flick. A common name for film in the United States is movie, while in Europe the term film is preferred. Additional terms for the field in general include the big screen, the silver screen, the cinema and the movies.
 

Keira Knightley

Keira Knightley

Keira Knightley

Keira Knightley

Keira Knightley

Keira Knightley

Keira Knightley

Keira Knightley

Keira Knightley

Keira Knightley

Keira Knightley

Keira Knightley

Keira Knightley

Keira Knightley

Keira Knightley

Keira Knightley

Keira Knightley

Keira Knightley

Keira Knightley